▶Janine Antoni | Art21 | Preview from Season 2 of "Art in the Twenty-First Century" (2003)
On demandA preview of Art21’s portrait of Janine Antoni, whose work turns ordinary bodily activities into sculptural and performative processes.
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Artists at work, in their own words. Every Art21 film in the FNDM catalogue, bringing you into studios, streets and working processes. The collection follows how ideas become objects, images and performances, and how lived experience finds its way into art.
▶A preview of Art21’s portrait of Janine Antoni, whose work turns ordinary bodily activities into sculptural and performative processes.
▶Shana Moulton and composer Nick Hallett develop Whispering Pines 10 at New York’s New Museum.
▶Rachel Rossin moves between painting, sculpture and virtual technologies to explore the emotional possibilities of digital space.
▶Liz Magic Laser takes the gestures of presidential speeches as material for choreography.
▶Liz Magic Laser stages theatrical scenes in the public spaces of New York, allowing their surroundings to disrupt familiar scripts.
▶Mika Tajima collaborates with two contortionists on movements responding to an installation of office cubicles and ergonomic chairs.
▶Nick Cave discusses how racial profiling and other experiences of being a Black man inform his art.
▶Inside the Park Avenue Armory, Ann Hamilton reflects on her installation the event of a thread.
▶Jacolby Satterwhite builds animated worlds from personal material, including his mother’s drawings, then brings their characters into New York’s streets.
▶Bruce Nauman discusses Poke in the Eye/Nose/Ear, a video built from a simple action performed on his own face.
▶Under the heading ‘Speaking to Friends in Outer Space’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Building a Time Bubble’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Reclaiming millennial humor’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Grand Theft Filmmaking’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Collective Images of a Forgotten Culture’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Art that makes you feel (badly)’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘It’s Never What You Imagined’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Yoruba myths, Voudo constellation, Afro-Diasporic imaginaries’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘The best way to rage against the machine’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶)’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘A body without limits’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Collaborating with your 14 year old self’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘There are No Lions to be Found’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘A place without a limit’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘I Spy, AI’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Sara Cwynar builds intricate collages that interrogate photography’s role in making objects desirable.
▶Under the heading ‘Making Calls to the Future’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Proposing another way to work’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Too Big to Know Ourselves, Too Small to Know the World’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Technology, meet Body’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Art with a stupid function’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Cyborgs & Chameleons’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘At the end of the internet’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘A Steady Diet of Hong Kong Cinema’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘The new possibilities in Afrofuturism’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Immortalizing a mother through art’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Hacking the Sims’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Healing trauma through cyberspace’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘P is for Pamela Anderson (or) the ABCs of everything’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶Under the heading ‘Bioenergy, autonomy, and heat signatures’, the film forms part of the series’ encounters with artists working across the meeting points of physical and digital life.
▶An introduction to Art21’s IRL/url, presented by CHANEL Culture Fund.
▶Alex Da Corte appears in Art21’s Everyday Icons, where the artist’s use of performance and familiar screen imagery comes into focus.
▶Art21 profiles New York-based artist Anicka Yi in this segment from Bodies of Knowledge. First broadcast in 2023, it belongs to the eleventh season of Art in the Twenty-First Century.
▶Shaun Leonardo draws on his upbringing and experience as an athlete to confront expectations placed on Brown and Black people.
▶Working in Los Angeles, Tanya Aguiñiga considers the creative traditions and personal journeys behind her practice.
▶Miranda July features in Friends & Strangers, part of Art21’s eleventh season of Art in the Twenty-First Century. Directed by Chiemi Karasawa, the artist segment first aired in October 2023.
▶Azikiwe Mohammed works across painting, furniture, textiles and other forms while resisting the image of the singular artistic genius.
▶Louise Despont reflects on how living in Bali has changed her drawing practice.
▶Zanele Muholi brings the studio to the people they photograph, working in homes and shared spaces across South Africa.
▶Guadalupe Maravilla brings sculpture, performance and sound together in a practice shaped by migration and surviving cancer.